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Doctorate of
Creative Arts (DCA) thesis title: Troppo
Obscura: A Peepshow of Historical Perversity, University of
Technology, Sydney, 2005
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Challenges
to Perform Cross-Culturally: Seeing/Feeling, Hearing/Dancing,
Presenting/Writing, Reflecting/Remembering,
Centre for Cross-Cultural Research, Australian National
University, 2002
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National
Australian Languages Scholarship Scheme (NALSS),
one year of intensive Indonesian language at Gadja Mada
University, Indonesia 1997
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Principles
and Practices of Teaching and Learning,
Professional Development Centre, University of New South Wales,
1996
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Contemporary
Performance: 6 months Tadashi
Suzuki stomping and actor training, Side
Track Performance Group (1996), Movement classes with Entre’act
Theatre Company (1992-1993), Movement workshops with Suprapto,
Indonesia (1992-1993), and Performance workshops with Teater
Sae, Budhi S.Othong (1992-1994), Theatre
workshops with Benkel Teater Rendra,
Jakarta, (1986-1994).
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Indonesian dance:
Topeng Losari,
traditional mask dance, Cirebon (1992-1999), Jaipongan,
contemporary dance, West Java (1983-1992), Kreasi Baru,
contemporary dance, Yogyakarta, (1992-1994), Pendet
Panyembrahma, traditional dance, Bali (1983
and 1988), Jejer Gandrung,
traditional dance, East Java (1992-1994) Klana
and Golek,
traditional dance, Central Java (1997-1999)
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